
Max Shreck, who played Nosferatu, is simply terrifying, with no need for speech. He has this rat-like appearance, with long creepy claws and two small fangs towards the center of his mouth, rather than the popularized Dracula appearance that everyone knows today.
But, truth be told, Bram Stroker's description of Dracula is nothing like this at all: "...a tall old

So really, Dracula isn't all that scary. And that just wouldn't do for the movie business, so they created Nosferatu and Dracula as we all now know him. And it worked out for them. For instance, a old man with a mustache couldn't make this scene from Nosferatu scary, only a pale, clawed, rat-like thing could:
This, among other scenes in the original Nosferatu, were used (or stolen, or "homaged") in many other Dracula/Nosferatu films to follow. But you cannot match the level of creepy that this first one had. Maybe it's because of the black and white, silent choppiness. Maybe it's because this Nosferatu just looks so scary. I'm not sure. Roger Ebert explains it like this: "The film is in awe of its material. It seems to really believe in vampires."
There was another version of this film done in 1979 by Wernor Herzog, one of my new favorite directors, called Nosferatu: Phantom der Nacht. Klaus


The scenes when Harker is held prisoner in the count's castle, and especially when he cuts himself and Kinski dives for the cut, claiming that the knife may have been dirty and the wound must be sucked to ensure no blood poisoning, is very scary. The movie even made me jump a couple of times, which none of these vampire films have done to me yet. Herzog is also a very good filmmaker, and there are creepy scenes with thousands of gray rats roaming the streets, spreading the plague. And Renfield, Harker's boss and as it turns out the Count's servant, has this laugh that is unbelievable in it's creep factor.

And, just like Buffy, the comedy seems to heighten the serious moments. Dafoe has a scene where some of the crew asks him about the book Dracula, and if it was factually accurate, since he is apparently so deep into his role that he should know about vampires. And his response is quite unsettling:
Shrek: It made me sad.
Albin: Why sad?
Shrek: Because Dracula had no servants.
Albin: I think you missed the point of the book, Count Orlock.
Shrek: Dracula hasn't had servants in 400 years and then a man comes to his ancestral home, and he must convince him that he... that he is like the man. He has to feed him, when he himself hasn't eaten food in centuries. Can he even remember how to buy bread? How to select cheese and wine? And then he remembers the rest of it. How to prepare a meal, how to make a bed. He remembers his first glory, his armies, his retainers, and what he is reduced to. The loneliest part of the book comes... when the man accidentally sees Dracula setting his table.
(...and then he grabs a bat out of the air and eats it.)
Dafoe does a great job, which is good since the part was specifically written for him. Malkovich is weird and unsettling, but convincing as the obsessed and crazy director.

So here ends the first post relating to my vampire extravaganza. There are others coming soon, which will walk through the other vampire films (Oh yes, don't worry. There are plenty more vampire films) before I conclude with Buffy.
1 comment:
No mention Dafoe received an Oscar nomination for his performance?
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